mybeatrix

Apr 26

http://bigbigpixel.com/

http://bigbigpixel.com/

The Descriptive Camera works a lot like a regular camera—point it at subject and press the shutter button to capture the scene. However, instead of producing an image, this prototype outputs a text description of the scene. Modern digital cameras capture gobs of parsable metadata about photos such as the camera’s settings, the location of the photo, the date, and time, but they don’t output any information about the content of the photo. The Descriptive Camera only outputs the metadata about the content.
As we amass an incredible amount of photos, it becomes increasingly difficult to manage our collections. Imagine if descriptive metadata about each photo could be appended to the image on the fly—information about who is in each photo, what they’re doing, and their environment could become incredibly useful in being able to search, filter, and cross-reference our photo collections. Of course, we don’t yet have the technology that makes this a practical proposition, but the Descriptive Camera explores these possibilities.

The Descriptive Camera works a lot like a regular camera—point it at subject and press the shutter button to capture the scene. However, instead of producing an image, this prototype outputs a text description of the scene. Modern digital cameras capture gobs of parsable metadata about photos such as the camera’s settings, the location of the photo, the date, and time, but they don’t output any information about the content of the photo. The Descriptive Camera only outputs the metadata about the content.

As we amass an incredible amount of photos, it becomes increasingly difficult to manage our collections. Imagine if descriptive metadata about each photo could be appended to the image on the fly—information about who is in each photo, what they’re doing, and their environment could become incredibly useful in being able to search, filter, and cross-reference our photo collections. Of course, we don’t yet have the technology that makes this a practical proposition, but the Descriptive Camera explores these possibilities.

Feb 27

COMMANDMENTS

Work on one thing at a time until finished.
Start no more new books, add no more new material to ‘Black Spring.’
Don’t be nervous. Work calmly, joyously, recklessly on whatever is in hand.
Work according to Program and not according to mood. Stop at the appointed time!
When you can’t create you can work.
Cement a little every day, rather than add new fertilizers.
Keep human! See people, go places, drink if you feel like it.
Don’t be a draught-horse! Work with pleasure only.
Discard the Program when you feel like it—but go back to it next day. Concentrate. Narrow down. Exclude.
Forget the books you want to write. Think only of the book you are writing.
Write first and always. Painting, music, friends, cinema, all these come afterwards.

” — http://www.brainpickings.org/index.php/2012/02/22/henry-miller-on-writing/

Feb 15

http://twelvesouth.com/products/hoverbar/

http://twelvesouth.com/products/hoverbar/

Feb 13

[video]

[video]

Feb 07

We Know What You Want And When You Will Buy It -

“The days of relying on one source to draw an empirical conclusion are well and truly gone.
No single questionnaire or focus group, interview panel, or ethnographic visit will provide all the answers. Just as we know that to bake a cake requires numerous ingredients combined in specific quantities, so do we require a combination of factors and studies to achieve levels of accuracy that Wanamaker did not believe possible.”

Dec 17

Brain is beautiful, when is repesented with ink

Brain is beautiful, when is repesented with ink

Dec 16

RBG6 is a film and graphic design studio based in Stockholm.
source: swiss-miss.com

RBG6 is a film and graphic design studio based in Stockholm.

source: swiss-miss.com